Experimental Visual Tools

Built as a live typographic stage where microphone or file input can push letterforms into motion. The tool is useful for quick audio-reactive tests, visual identity experiments, and capturing sound as readable but unstable kinetic type.

This study translates audio behavior into nodal, plate-like structures inspired by Chladni patterns. It is designed for exploring symmetry, resonance, and the moment when sound begins to feel like a physical material.

A softer counterpoint to the frequency studies, this tool treats sound as a liquid field. It is made for expressive motion, organic distortion, and visual outputs that feel more like texture, heat, or movement than a standard waveform.

SOUND-SAND imagines audio as a granular surface that gathers, scatters, and shifts with the input signal. The visual language is tactile and material, built for experiments that need a rougher, more physical kind of sound reaction.

ACID IT is built for fast image transformation: upload an image, push it through gradient maps, adjust the tonal behavior, and add motion-led treatments. The .grd import makes it possible to bring Photoshop gradient systems into a browser-based workflow.

Signal Field uses the camera as a drawing input instead of a normal video feed. Edges, contrast, and movement are converted into ASCII marks or bitmap structures, with controls for palettes, character density, reflection, sensitivity, and export.